Okay, let me make this quick.
When Mike and I talked through the two stories of the Hellboy Animated movies, we made them chock full of monsters, suspense, thrills, chills, spills and excitement.
Well.... evidently they weren't full enough.
Our movies are/were about 20 - 25 minutes short! Aieeee! A normal animated "half hour" is 22 minutes long; the rest of the time is made up of titles, commercials, bumpers and credits. How'd we miscalculate?
My fault. I went against my better judgment when the movies were in script. I break down the action of my scripts pretty thoroughly. If not scene by scene, pretty darn close. So for an episode of a show like Hellboy, a half hour would be about 33-35 pages long. Therefore, a 75 minute feature in that style should be around 120 pages, maybe 130. Except I was at a new studio and they had just had a couple of productions that were boarded much too long from scripts much shorter. So when Matt Wayne turned our outline into a script, he was very nervous when it came out under 90 pages. So was I, so we added an action sequence that featured not only Hellboy but Abe and Liz. It was sort of a glimpse of their last adventure which made for a much stronger introduction of Hellboy (which had been very low key before that).
Some production people warned us that we'd be overly long and that storyboard artists would be spending time working on sequences that would never make it in. I thought I'd risk being long because the new material added so much. Thank God I did because when the timing came back we were 20 plus minutes short! As I said before - aieeee. Meanwhile, we had kept the page count of the second movie short because we were worried about being long again. Aieeee again.
So we've been working on the new material and shifting schedules to create the new material. We're not done but the light at the end of the tunnel can be seen if you squint.
But the good news, and yes there was good news, the good news was that the studio didn't panic and the movies got better. One, they're jam packed. Two, in the first movie, Abe and Liz have an entire subplot that increases the scope of the film and puts more at stake. Three, one of the guys on staff asked if the new material had been cut out of the script originally because it felt like it should have always been there. That was the best thing. Everybody can use a brown noser like that. (Actually, he was being very sincere.) We had a neat story and just padding it out to fill time could have ruined it but the new stuff fit in and added different kinds of excitement. We're trying something much more ambitious in the second film that I'm really jazzed about. Can't talk about it for spoiler reasons but it's a story structure that I never would have thought of normally but will really add substance.
I should've known better but the end result should make everyone happy, especially those who would've been disappointed in mere Liz and Abe cameos. So that's why the blog's been behind. I should get it back on track soon. -- Tad